Pieces for violin solo, two violins and violin with piano – 2CDs
At last we have an almost complete set of Wieniawski’s works consisting of pieces for solo violin, two violins and for violin and piano.
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15 December 2000
Chamber music
Piano Trios
This album will delight all chamber music fans, especially those into Polish music. It features three piano trios from different periods by Artur Malawski, Romuald Twardowski and Andrzej Panufnik.
14 July 2000
Quatuor Pour la fin du Temps
The recording made on 5 May 2000 at the National Philharmonic reflects very well the contemplative character of the composition and will leave no listener indifferent to its serious message.
9 July 2000
Szymanowski – Violin Works
The evolution of Szymanowski´s violin idiom, from the late-Romantic rhapsodic lyricism of Sonata, to the passionate impressionism of Myths, is simply fascinating...
15 January 2000
Blavet, Leclair – Flute Sonatas
The album features music quite rare on the Polish market: French music for transverse flute. The players are three early music specialists.
13 September 1999
The spaces of the rhythm
Is it possible to listen for a whole hour to percussion music without feeling fatigued? Well, the answer is yes. The Spaces of Rhythm – the latest release of the Krakow Percussion Group – proves that it may be a fascinating and surprising experience.
10 September 1999
Philharmonia Quartet Berlin
Slavonic string quartets interpreted by the famous Philharmonia Quartet Berlin.
18 June 1999
Vanitas Vanitatum
Ther first monographic album of the oustanding musician from Gdansk, a Baroque seconda prattica rich in textual meaning and musical rhetoric.
23 December 1998
Dorota and Piotr Anderszewski
The first album of the very gifted brother and sister in the obligatory classicist-romantic repertoire: violin-piano duets by Schubert, Beethoven and Mozart.
30 October 1998
Szymanowski, Lutosławski – String Quartets
Their significance lies not so much in the influence they had on the development of the genre, but in that they came into being in a distinctly individual and independent manner that reflected European trends in quartet music of the day.
26 September 1997