An orchestral debut, one of numerous song cycles and finally a short yet massive vocalinstrumental work. Years spanning their dates of inception: twelve.
It contains archive recordings made at the Warsaw Philharmonic Concert Hall during two concerts given by the Warsaw Philharmonic Orchestra under Skrowaczewski’s baton – on 11 February and 22 June 1956.
All of Förster’s works are distinguished by clarity of form and melodiousness. The concertato motets presented on the album are exquisite, delightful gems.
For its new recording project, the Warsaw Philharmonic, with its music and artistic director Andrzej Boreyko, invited the Polish cello virtuoso Marcin Zdunik.
The Warsaw Philharmonic is releasing another disc recorded during the 2021/2022 season, devoted to the music of Krzysztof Penderecki. The Warsaw Philharmonic Orchestra and its conductor Andrzej Boreyko chose two works by Penderecki that represented a return to tradition in his creative process
The above-average, compared to other Polish composers of that period, talent of the Żebrowski, as well as his highly original creative invention and the variety of cultivated forms are perfectly demonstrated by this monograph recording
In his final composition, the “Quasi-Requiem” Libera me, written in the Autumn of 2018, Giya Kancheli bypassed the Latin Responsory from the Catholic Office of the Dead
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The album in your hands is an invitation to create such a personal, intimate relationship with music. You can take it with you for a walk in the forest or on a long journey.
Lutosławski’s twenty carols are not a ‘Top Twenty’ collection; conspicuous by their absence are some of the most popular carols like Wśród nocnej ciszy (In the midst of night’s quiet), Mędrcy świata (Wise men of the world) or Pójdźmy wszyscy do stajenki (Let’s all go to the stable) while little known works are included.
‘In this work,’ said Paweł Mykietyn about Concerto No. 2, ‘I tried to synthesize my research related to time in music