Seventeen diary entries intertwine in this stage work with interludes marking the passing of time. Time, in turn, is presented in a way that corresponds to the notions and feelings of an energetic young married woman, neither used to domestic duties nor long hours of silence and loneliness.
The concert arias of Wolfgang Amadeus Mozart - skilfully designed, cut and tailored with the precision of a master couturier to suit the voices of favoured singers - make up a theatrical piece where costumes, sets and even the libretto are of minor importance.
Der fliegende Holländer ARTISTS: Antoni Wit - conductorWarsaw National Philharmonic Orchestra and ChoirHans Sotin - bass (Daland)Christiane Libor - soprano (Senta)Endrik Wottrich - tenor (Eryk)Ewa Marciniec - alto (Mary)Ryszard Minkiewicz - tenor (Steuermann)David Pittman-Jennings - baritone (Holländer)Henryk Wojnarowski - choirmasterRELEASE DATE: 10/2007CATALOGUE NO. ACD 143GENRE: opera music DESCRIPTION LISTA UTWORÓW LISTEN DESCRIPTION LISTA UTWORÓW CD1 1. Ouverture 11:01ACT 1 2. Introduction. Choir: Hojohe! Hallojo! Hojoha! Ho! 1:273. Daland: Kein Zweifel! Sieben Meilen fort 3:434. Steuermann: Seit außer Sorg.! Schlaft ruhig, Kapitän! 5:015. Nr 2. Aria Holender: Die Frist ist um 3:356. Holländer: Wie oft in Meeres tiefsten Schlund 2:497. Holländer: Dich frage ich, gepriesner Engel Gottes 3:048. Holländer: Nur eine Hoffnung soll mir bleiben 3:279. Nr 3 Duett & Choir: He! Holla! Steuermann! 4:0310. Holländer: Durch Sturm und bösen Wind verschlagen 4:5311. Daland: Wie? Höre ich recht? 7:2512. Steuermann: Südwind, Südwind! 2:0413. Choir: Mit Gewitter und Sturm aus fernem Meer attaca ACT 2 14. Introduction 2:1915. Nr 4. Choir: Summ und brumm, du gutes Rädchen 3:4016. Mary:…
The record features arias of the two most popular Italian composers, Giuseppe Verdi and Giacomo Puccini, for lyric soprano (Mimi, Lauretta, Liú) and lirico-spinto soprano (Tosca, Butterfly, Leonora, Desdemona).
In Ubu Rex, Penderecki embraces Jarry's style: admitting that in this work he pokes fun at classical genres and at himself.
King Roger, a work at the heart of Szymanowski's compositional outputis the product of a great double synthesis - a synthesis of musical styles and languages and a synthesis of cultures.
The opera was written specially for the children from the choir Alla Polacca and for the national Opera in Warsaw, where it was premiered on September 27, 1998.
Viva Moniuszko, Viva Verdi is a excellent present for all lovers of choral opera music. It is a collection of the most beautiful choruses performed by the soloists and choir of the National Opera under Jacek Kaspszyk.