Seventeen diary entries intertwine in this stage work with interludes marking the passing of time. Time, in turn, is presented in a way that corresponds to the notions and feelings of an energetic young married woman, neither used to domestic duties nor long hours of silence and loneliness.
West Side Sinfonietta: the ensemble is a joint initiative of the musicians of the NFM Wrocław Philharmonic and the Szczecin Philharmonic Symphony Orchestra.
We present to you another CD with the music of the First Polish-Lithuanian Commonwealth, featuring the works of Mikołaj Zieleński, his Offertoria and Communiones published in Venice in 1611.
Debussy and Tchaikovsky are like two sides of the same coin. They share a central essence yet face in opposite directions.
Two musical orders meet in the programme of this album, both with reference to the most broadly conceived music history and to the universe of Krzysztof Penderecki’s output.
Every composer whose piece appears on this CD was an essential figure in the very best of the late eighteenth- and the early nineteenth-century salon culture.
The composer had written his first string quartet in 1937, while still in Warsaw. After his escape to the Soviet Union in September 1939, he composed more of them, sometimes in ‘series’.
I remember when I arrived in Norway for the first time what draw my attention the most was not the exquisite architecture, the minimalistic design or the scent of raw wood. It was the light.
A similar idea guides the project of the Choral Academy, which aims to propagate singing, including primarily collective singing, which not only has artistic value, but also brings psychological and social benefits.
Two people – that’s all it takes to carry on an interesting and inspiring conversation. Two instruments constitute also the smallest possible ensemble – the dialogue.